they say I'm on top of my game

Two things.

One - I will never, ever get tired of looking at Guy Garvey. Look at him. Just LOOK AT HIM. *swoon*

Two - I tuned in late to the BBC broadcast of "The Seldom Seen Kid" live with the BBC Concert Orchestra - stupid work - but ho-ly shit is this amazing. I caught the tail end of 'Weather To Fly' - beautiful, of course - and 'The Loneliness of a Tower Crane Driver' just finished. When the song explodes during the "send up a prayer in my name" line with a harp and full orchestra and a FULL FUCKING CHOIR, it is the most incredible thing in the whole world. And this is all on a shitty real audio stream - it's going to sound fucking massive in high quality. I cannot wait to hear 'Some Riot'.

How can one band be so fucking good?

ps - 'Some Riot' was ridiculously good. Hooray!

I vote hell yes

The limited CD/DVD pressing of Elbow's performance at Abbey Road with the BBC Concert Orchestra from a few weeks ago is now available to pre-order at their website. For the reasonable price of £20, you get the performance on CD and DVD - as you might imagine - as well as 4 postcards and a 16-page booklet, all stored in a lovely box. It all ships sometime in March - so now the wait begins.

It's not quite the same as being there, but it'll have to do I suppose.

I vote no

The Coachella line up is a fucking pile. [The Killers as Saturday's headliners? Seriously?]

Boo!

I vote yes

After thinking about it today, I have decided that this is a fab sleeve for the new Pet Shop Boys album.

Hopefully the music is equally as good.

[According to the official site, 'Love, etc.' will get it's first radio play in February 9th, so we won't have to wait too much longer to find out.]

Hooray.

this was a nice surprise in my inbox this morning

I knew a new SFA album was coming this year but I thought we'd have to wait at least until late spring, if not summer.

From the official mailing list:

--
SUPER FURRY ANIMALS ANNOUNCE NEW ALBUM

Digital release 16th March on the band's own website -
www.superfurry.com, physical release 13th April on Rough Trade Records,
21st April for U.S. release.

Super Furry Animals are currently hard at work on their 9th studio album in
Cardiff.. Since 2007's 'Hey Venus' the band have been keeping busy
with their various side projects including Daf and Guto's acclaimed
work as part of The Peth with Rhys Ifans, Cian's forthcoming Acid
Casuals release and Som Bom techno nights in London and of course
Gruff's Mercury nominated work with Neon Neon.

Currently with a tracklisting but without a title the band promise;
"Musically it's based around riffs and grooves we've been playing
around with over the last few years. We have enough now for a whole
album so even though it's still very melodic we thought we could
leave off the acoustic ballads for the time being."

"It's recognisable as a melodic SFA record, but is very focused
musically as a cohesive album. And no country rock as Daf has
developed a pedal steel phobia. Which has confined the great
Nashvillian instrument along with the Saxophone to the banned
instrument directive of the SFA board. there's only one slow number
which isn't slow at all."

Longtime cohorts Pete Fowler will combine with legendary Japanese
artist Tanaami for the album artwork, which is sure to result in a
feast for the eyes.

The album is due for digital release on the 16th March via the bands
own website (www.superfurry.com), the physical following on the 13th
of April on Rough Trade Records.

Super Furry Animals have some more tricks up their sleeve which we
will be announcing a little closer to the release date - watch this
space for more information!

Working Title Tracklisting

1.'The very best of Neil Diamond'
2. White socks/Flip Flops.
3. Inaugural Trams.
4. Sounds Familiar.
5. Cardiff in the sun.
6. Where do you wanna go?
7. LLiwiau LLachar.
8. Mountain.
9. Moped eyes.
10. Inconvenience.
11. Crazy Naked Girls.
12. Earth.
13. Prick.
--

Is this the rumored instrumental album? Is 'Earth' the short oddball number performed on the "Hey Venus!" tour? The first Welsh language SFA song since "Mwng"? Pete Fowler AND Tanaami working together? A new SFA and a new PSB album in consecutive release weeks? How exciting! :)

everything Richard X touches turns to gold

The internet has been abuzz for weeks - months, perhaps - about how amazing the new Richard X-produced Saint Etienne single 'Method of Modern Love' is....based on the little snippets here and there the band have been teasing us with.

Now, I'll say that I'm not the biggest Saint Etienne fan - though I certainly know many people that are, and lived with a Saint Etienne hardcore for a while - so I was a bit skeptical. I was more intrigued by the Richard X part - seriously, show me something he's done that isn't AMAZING. You can't.

Anyways, the full track has finally reared it's head and it is, as everyone was saying, FUCKING AMAZING. It's not too widespread yet, but if you look you can find it.

Like here:

8/1: Saint Etienne - Method Of Modern Love

Gold, I say.

mpfree

Superdrag - the original line up, don't you know - have reconvened and have a new album coming out in March 17th entitled "Indsutry Giants", as you probably know. What might be new is that the lead track from the album - 'Slow To Anger' - is now available as a free download from their myspace. Huzzah! It is quite good and has me looking forward to St. Patrick's Day even more.

They've also announced some tour dates, also on their myspace - but I'll put em here too. Like Bishop Allen, they are playing in Chicago. Unlike Bishop Allen, they are playing in Chicago after I am in Chicago. Sad face. :( Maybe you can make it, as they put on a mighty fantastic live show well worth checking out.

Those tour dates:

FRI MARCH 13 : KNOXVILLE, TN : BARLEY'S TAPROOM W/ MIC HARRISON & THE HIGH SCORE
SAT MARCH 14 : NASHVILLE, TN : EXIT/IN W/ MIC HARRISON & THE HIGH SCORE

WED MARCH 18-->SUN MARCH 22 : AUSTIN, TX : SXSW (MORE DETAILS TBA ASAP)

FRI APRIL 3 : WASHINGTON, D.C. : 9:30 CLUB
SAT APRIL 4 : PHILADELPHIA, PA : JOHNNY BRENDA'S

THU APRIL 9 : NEW YORK, NY : BOWERY BALLROOM
FRI APRIL 10 : BROOKLYN, NY : MUSIC HALL OF WILLIAMSBURG
SAT APRIL 11 : BOSTON, MA : PARADISE

FRI APRIL 24 : ROCK ISLAND, IL : DAYTROTTER SESSION
SAT APRIL 25 : CHICAGO, IL : METRO

Why is everyone I want to see playing SXSW the year I decide to try and go to Coachella? Double sad face. :( :(

a happy coincidence

The always wonderful Bishop Allen announced a late winter/early spring US tour in support/anticipation of their forthcoming third album, possibly called "Grrr..." - which is a fantastic title, by the way, and one they should definitely keep. Unsurprisingly, the tour does not include a stop in Rochester...or Buffalo, for that matter. Back in the "Charm School" days they used to play here or there, but they haven't in a good five years. [Has it really been five years since I last saw Bishop Allen? Possibly...wow.]

Anyways.

They will, however, be in Chicago on March 31. Conveniently, I will also be in Chicago on March 31st as I will be visiting my brother who lives there. It's a date! :)

The fantastic 'Click Click Click Click' from their second album "Bishop Allen & The Broken String" - which you also might recognize from a camera commercial a few years ago, though I forget which one:

last.fm vs subliminal messages

The strangest thing happened the other day...

I was going along, minding my own, when all of a sudden I had the strangest, strongest urge to listen to Elastica. Nothing against Elastica, but I never really cared either way for them back in the day, but for whatever reason I had. to. listen. to. them. now.

Of course, I didn't actually own a copy of the album so first I had to run out and secure myself a copy - I was reasonably certain I could find a used copy without too much difficulty and was proven correct by a stop to the Record Archive - and the itch was scratched. I was also picking up my friend Bryan for lunch at the time, so I prepared him for the blast from the past going on in the car and he laughed at me.

Then I realized I had this urge to listen to Elastica because last.fm has been recommending them to me on the front page for weeks due to the large amounts of Blur, Pulp and Suede I've been listening to lately. So there you have it, it worked.

And as you can see, I've a newfound appreciation for 'Stutter' than I didn't have before. Well played.



It is pretty great, isn't it? The album could use some trimming, but those two minutes are perfect.

the first great single of 2009

Lady Sovereign returns in April with her second proper album, and 'I Got You Dancing' is the first single. This is the video:



I am officially "excited".

a bit behind the 8-ball

OK, so I'm wayyyyyyyyy behind the times on this - Southern Fried put this video up on You Tube on October 23 according to the time stamp - BUT Shinichi Osawa's version of 'Star Guitar' is, like, a zillion times better than the Chemical Brothers original. I counted - a zillion.

See?



Again - one zillion times better.

my wallet cries on March 24th

March 24th is sure shaping up to be a busy release day. As previously mentioned, the new KMFDM album comes out - which I still am curious about. DVD-wise, the long delayed first season of "In Treatment" is penciled-in to finally come out that day, as is the also long-missing-on-DVD "Andy Richter Controls The Universe". [Talk about two shows on opposite ends of the spectrum...]

Today, of course, Capitol announced March 24th as the release date for expanded versions of the first three - and, really, the only three that matter - Radiohead albums. Spread over 2 CDs and one DVD for each of the albums, there's a lot of extra material - though probably not a lot of material you don't already have on something else - and I'm still a sucker for '93-'97 Radiohead as much as I like to think I'm not anymore, so I'm probably there. [I'll clarify that - I'm definitely on board for "Pablo Honey" as I never bothered/could afford to track down most of those singles on CD...it's worth it for "Drill" alone, certainly. "The Bends" I'm torn on as it doesn't have the one "Bends"-era track I most covet in a crisp clean CD version - 'Planet Telex [Trashed]' - and I've got all those singles so I'd be buying a few radio sessions and a cut up version of the Astoria show so we'll see. I never got around to getting Live at the Astoria on DVD, so it could be OK. Ditto for "OK Computer", but for some reason those radio sessions don't excite me as much despite me not having any live "OK Computer"-era on CD. Hrm.]

I'm sure I'll cave and get them all, but I like to complain so there you have it.

Oh, today they also annouced the title of the new Depeche Mode album to be "Sounds of the Universe". LAME.

oh, right: orange juice won't stain

In everything that was going on, I totally forgot to post my mix for this year. Well, here goes - although it's already out there so most of you already have it.

orange juice won't stain
a freemonster 2008 mix

01 rem - living well is the best revenge - from the "accelerate" lp
02 the b-52's - pump - from the "funplex" lp
03 hot chip - ready for the floor - single from the "made in the dark" lp
04 kaiser chiefs - never miss a beat - single from the "off with their heads" lp
05 nick cave & the bad seeds - dig, lazarus, dig!!! - single from the lp of the same name
06 operator please - get what you want - single from the "yes yes vindictive" lp
07 the kills - getting down - from the "midnight boom" lp
08 van she - changes - single from the "v" lp
09 ladyhawke - my delirium - single from the self-titled lp
10 annie - i know ur girlfriend hates me - single from the aborted "don't stop" lp
11 alphabeat - boyfriend - single of the year from the "this is alphabeat" lp
12 lorraine - beyond the sky - b-side to the "when i return to the world" 7"
13 parralox - we believe in electric love - from the "electricity" lp
14 neon neon - i told her on alderaan [richard x andress mix] - promo only remix of the single from the "stainless style" lp
15 pop levi - dita dimone - single from the "never never love" lp
16 these new puritans - infinity ytinifni - from the "beat pyramid" lp
17 duels - regeneration - single from "the barbarians move in" lp
18 the whip - blackout [graham massey remix] - remix of the single from the "x marks destination" lp
19 the breeders - we're gonna rise - single from the "mountain battles" lp
20 alphabeat - boyfriend [alex metric remix] - yes i cheated by including the same song twice promo only super fucking amazing remix of the single of the year from the "this is alphabeat" lp

Tada. 2008 can go to bed now...14 days late.

shopping list

Alright, with 2008 out of the way let's take a look at what's coming down the pipe for 2009:

January -

Nothing outside of a Girls Aloud single. Boo.

February -

Shinichi Osawa - The One [02/03 US release, although it's been out overseas for ages apparently]
Ugly Duckling - Audacity [02/03]
Lily Allen - It's Not Me, It's You [02/10]
Erykah Badu - New Amerykah Part Two: Return of the Ankh [02/17 - supposedly. I'll believe it when I hear it...and I really wanna hear it.]

March -

Bishop Allen - Grrr... [03/10 - hooray, new Bishop Allen! :)]
Superdrag - Industry Giants [03/17 - first album with original line up since 1998's "Head Trip In Every Key". I'm curious.]
Pet Shop Boys - Love etc. single [03/16] and Yes LP [03/23 - both UK releases, hopefully the US won't be too far behind. I CANNOT WAIT - PSB + XENOMANIA!]
KMFDM - Blitz [03/24 - not that their past few records have been that great, but I'm always up for a curiosity listen]
PJ Harvey + John Parish - A Man A Woman Walked By [03/31 - I'd rather a PJH solo album, but I guess I'll take what I can get]

April -

Lady Sovereign - Jigsaw [04/07 - I actually didn't think we'd ever get a second Lady Sov album so this is quite exciting]

Also coming up but with no set date yet - "Cinnabar City" from Charlotte Hatherley [sorry PSB but this is officially my most anticipated album of the first half of 2009], Kasabian LP3 [info in the NME today but nothing's hit the internet yet], another Depeche Mode album with a million singles on a zillion formats [though their new logo is hott so we'll see...], a second Rob Dickinson solo album [yay!], Annie is supposedly working on re-jigging and self-releasing "Don't Stop" with a new Richard-X produced single beforehand [yum], that SFA instrumental album, the Jane's Addiction and Smashing Pumpkins "Gish" boxsets, possibly a Robbie Williams album [though possibly it is a follow up to "Swing When You're Winning" so we'll reserve excitement until we know for sure], "X Marks Destination" gets a US physical release [which doesn't help me much but is always exciting to see], and possibly the second album from Freemonster favs Dragonette. In the works for the autumn is the second Saturdays album and possibly Sugababes LP7 - though they'd better take their time and give us a stormer this time or I'm officially Mad At Them. Alphabeat apparently want to have a second album out this year, which could be quite good, and there's yet another Tori Amos album in the works [which could be alright since the last one was decent if way too long]. Then, of course, there's always the ever-imminent St. Famous album and new Mark Greaney project [whatever form that happens to take when it finally comes out] but put those along the Erykah Badu album in the "I'll believe it when I see it" column.

There should also be a third single from "Off With Their Heads" [there's supposedly a 'You Want History' remix in the works so possibly that?], a fourth Saturdays single off the debut [rumored to be 'Work' and/or 'Lies'] and another crap Girls Aloud duet for Comic Relief [this time with Take That - really?] that might take the place of a third single off "Out of Control" [which is fine as there's no real good ones left outside of 'Live In The Country' which would never get picked in a million years]. On the topic of singles from 2008 albums, how were there only 2 singles off of the Hercules & Love Affair album? I was fully prepared to be bitching about the fifth single on ridiculous formats about this time, yet I stare at my beautiful 'You Belong' 12" with it's BRIGHT BLUE SLEEVE and wonder "what happened?". Hrm.

And I'm supposed to be saving money this year how????

[I feel like I'm missing a big one. What is it?]

UPDATE: RIGHT, the new project from Jeppe/Senior. That should see the light of day soon. Whee!

can you explain?

OK, this song needs a proper release and it needs it now, dammit.



Once again, I miss Catherine Wheel. *sigh*

my 20 favorite albums of 2008 - part three

Right, where were we?

05 - The Kills - Midnight Boom

key tracks: 'Cheap & Cheerful', 'Last Day of Magic', 'Sour Cherry'
I've always had a bit of a love/hate thing with The Kills, but this album is all about the love - minus the wretched 'Alphabet Pony', of course. My favorite part of the band in the past is how well they remixed - the base songs are so basic and straightforward that they leave a lot for the remixer to work with, and no doubt that their Jagz Kooner and MSTRKRFT mixes were amongst my favorite tracks of 2005. Pairing up with XXXChange, they've brought that remix aesthetic to their album giving us their most danceable poptastic album yet and the single they've always been trying to make in 'Cheep & Cheerful'. More, please.

04 - Van She - V

key tracks: 'Changes', 'The Cat and The Eye', 'The Sea'
This is the golden rule - just becuse someone produces amazing remixes does not mean they are capable of making great music on their own. [Timo Maas, I'm looking at you, and Dingo tells me the same of Chicken Lips so I stay far away.] So I approached a Van She full length with a bit of apprehension as their remix work is AMAZING. Well, fortunately this turns out to be an exception to the rule as "V" is even AMAZINGer. Call them 80's revivalists if you wish - there's no doubt that 'Changes' or 'Kelly' harken back to the synth-pop of 20 YEARS AGO! - but they do it right...and touch on other references as well. Dreampop? 'The Cat and The Eye' covers that. 90's guitar? Look no further than 'It Could Be The Same'. Spot the influence is fun to play with this one but don't get me wrong - it totally stands on it's own two feet and is hopefully the start of amazing things to come.

03 - The Breeders - Mountain Battles

key tracks: 'Overglazed', 'We're Gonna Rise', 'No Way'
It is almost as if Kim Deal thought to herself one day - "y'know what? 'Title TK' was a bit too straightfoward for me...let's break pop even more." and then went ahead and did just that. "Mountain Battles" makes "Title TK" look like the most straight forward album in the whole world, and is all the better for it. Not to mention it has the best album cover of the year, hands down. Actually, the album cover is the perfect image for the music contained within. It's almost as if it is the review of the album itself. Let's look at it again:

Perfect.

02 - The Whip - X Marks Destination

key tracks: 'Divebomb', 'Fire', 'Sirens'
I had built my expectations for this album sky high and was sure it would let me down - not in the least. It helped that five of the albums ten tracks were singles beforehand, so there wasn't a lot of unknown material going in. Even then, the new songs were just as strong as the singles which led to the first candidate for album of the year.

01 - Elbow - The Seldom Seen Kid

key tracks: 'The Bones Of You', 'Mirrorball', 'Some Riot'
When I really thought about it, there wasn't even a competition this year. I'm not sure how they did it, but Elbow somehow managed to trump three perfect albums and create without a doubt the most special album of the year. I mean, really.

we interrupt this best of list

The top 5 is coming - I promise - but first, this:



That would be one Annie Lennox covering Ash's 'Shining Light'. This has possibly been out there for a while but it has just been brought to my attention - thanks Dean. I'm not quite sure what to make of it...

my 20 favorite albums of 2008 - part two

Sorry for the commercial break. Now, where was I?

12 - Duels - The Barbarians Move In

key tracks: 'Regeneration', 'Sleeping Giants', 'The Barbarians Move In'
I was very, very happy to see the Duels return in February with a self-released second album after their split from Nude. I was a little disappointed that there was none of the hyper indie-pop that drew me to them in the first place, but that was soon overtaken by how impressive the grand scope of the album is. This. Is. Epic. Pop. and it makes no bones about it. From the sweeping rush of opener 'The Furies' to the soft whisper that ends the album on the title track, you better buckle in for the ride. If "The Bright Lights And What I Should Have Learned" was "Coming Up" circa-2006, this goes toe to toe with "Dog Man Star". Yes, I said it.

11 - The Ting TIngs - We Started Nothing

key tracks: 'Great DJ', 'Be The One', 'We Started Nothing'
First, let me say how pleasantly surprised I was that this album got as huge as it did. For a while, you couldn't escape these two - but it was one of those rare cases where you didn't seem to mind. This album had appeal for everyone - I was expecting the guitar indie pop album of the summer [by way of Columbia Records, of course] but wasn't prepared for the onslaught of single after single, club mix after club mix, etc. Early listens suggest the album is front loaded and then peters out after the enormous 'Shut Up And Let Me Go', however further exploration reveals that the most interesting stuff is really going on at the end. I'm very curious to see where they go next.

10 - Hot Chip - Made In The Dark

key tracks: 'Ready For The Floor', 'Out At The Pictures', 'Bendable Poseable'
I love Hot Chip because they're not sure if they're a dance act or a guitar band - they generally combine the best of both and fall somewhere in the middle. 'Ready For The Floor' was pure floor filler, of course, but there's lots of stuff here that most "dance acts" wouldn't ever dream up - like the pair of heart-wrenching ballads that close the album, or the whispery title track that sits as the album's centerpiece. This is, I think, the album they've always been trying to make, and I think it's the one that shows of their numerous strengths the most.

09 - Ladyhawke - Ladyhawke

key tracks: 'My Delirium', 'Manipulating Woman', 'Dusk Till Dawn'
I first became aware of Ladyhawke via the video for 'Paris Is Burning', which I must admit didn't impress me much. Its remix package - with names such as Chicken Lips, Cut Copy and Alex Gopher - did intrigue me and since there was a good deal both the single AND album when they were released in the UK, I decided what the hell. Good thing too, because she's got quite the ear for a pop song. Yet another case of an album that's a bit too long for it's own good - it starts to sound a bit samey here and there - but there's some amazing stuff here to suggest that Ms. Pip Brown could have a long, prosperous career as Ladyhawke.

08 - Alphabeat - This Is Alphabeat

key tracks: 'Boyfriend', 'Touch Me Touching You', 'Go-Go'
Another one I wasn't initially all that enthralled with - 'Fascination' is both fantastic and obnoxious at the same time and follow-up '10,000 Nights' is more of the same but sounds like an outtake for a musical as well, which is not a good thing. However, again the remixes sold me - I'm such a remix whore, I can't help it - but I still couldn't pull the trigger on the album. Third single - and my favorite song of the year, in case you missed it - 'Boyfriend' had me hooked and I gave in to the album. Good thing, too, because in context the first two singles make a bit more sense, and "This Is Alphabeat" turned out to be a rarity in 2008 - a pop album that doesn't overstay its welcome. Ten tracks, all of them necessarry - well, I might ditch '10,000 Nights' - including a Public Image cover, and then it's done and ready to be played again. Score!

07 - Erykah Badu - New Amerykah Part One: 4th World War

key tracks: 'Telephone', 'Soldier', 'That Hump'
I've always admired Erykah Badu and even spun her albums on occasion, but found her a bit much to take in big doses. I'm not sure what led me to purchase yet another of her albums to add to the growing pile of ones that I rarely listen to, but I'm quite thankful for whatever it was because this album is amazing. It's one of those albums that major label artists rarely make - Erykah has clearly always followed her own beat, but I don't think she's ever raised both middle fingers at everything quite so proudly as she does here. A very claustrophobic album that takes a while to wrap your head around, but one like more people should be making these days. Part two apparently is finally coming this year, but I'll believe it when I see it considering how long it took to get this one.

06 These New Puritans - Beat Pyramid

key tracks: 'Infinity ytinifnI', 'Swords of Truth', 'En Papier'
Much like the Erykah Badu record, this is an album's album. Sure, most of the songs play fine by themselves, but they're all interlinked with little segues and bits of noise to connect them all - not to mention the ending track that feeds directly into the opening track as they're literally halves of the same whole - that it only makes sense when it's played as a whole. File them along side the Klaxons as a young band with too many ideas in their head to get them all out in a cohesive manner, which is very exciting.

The rest soon.

my 20 favorite albums of 2008 - part one

OK, first off - Florian leaving Kraftwerk? What the fuck? Glad I got to see them back in 2004 - AMAZING.

Anyways.

The inevitable list, part one.

20 - The Saturdays - Chasing Lights

key tracks: 'Up', 'Keep Her', 'Chasing Lights'
It's no secret I'm a huge fan of huge pop, and the UK has been pumping out amazing girl groups for years. [Notsomuch the US, but that's another story.] Anyways, the Saturdays popped up this summer with their Yaz-sampling 'If This Is Love', and I thought: "do we really need yet another UK girl group - especially one that shares a label with Girls Aloud and is therefore more likely than not going to be a watered down Girls Aloud?" Well, come the Fall when both the Sugababes and Girls Aloud released incredibly sub-standard albums, the answer quickly became "yes!". Not that the Saturdays are up to those two at their prime - not yet, anyways - however "Chasing Lights" is certainly the most enjoyable, consistent girlpop album of 2008. [Though they apparently suffer from Fascination's curse of always picking the wrong single with the soggy 'Issues' chosen to follow up the amazing 'Up'.]

19 - Delays - Everything's The Rush

key tracks: 'Hooray', 'Keep It Simple', 'The Earth Gave Me You'
I'm at odds with this one, hence its low placement. On one hand, this is possibly the Delays most consistent album yet - a joy from start to finish. On the other hand, it also lacks the insane highs of the first two - there's not a 'Valentine' or 'Long Time Coming' to be found here, sadly. So as an album, two thumbs up. In the grand scheme of things, though, we know you can do better boys. [However, seek out their cover of 'Cherry Cherry' that appeared as a b-side to 'Keep It Simple' - quite enjoyable.]

18 - Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!!

key tracks: 'Dig, Lazarus, Dig!!!', 'Today's Lesson', 'More News From Nowhere'
I am by no means a big fan of Nick Cave, however this album really hit the spot. The title track and first single is hillarious AND a big scuzzy rock song - something that the Grinderman project suggested it would be but failed to deliver on - and the rest does an admirable job of following up in a similar vein. Worth checking out for non-fans, such as myself.

17 - The Notwist - The Devil, You + Me

key tracks: 'Boneless', 'Alphabet', 'Good Lies'
It has been a long wait for the follow up to their 2002 masterpiece "Neon Golden", but the Notwist finally delivered this summer with this understated follow up. Not that that's a bad thing - for sure this is one fine album - but it doesn't exactly smack you over the head with its greatness like its predecessor did. Maybe it's because we knew what to expect all these years it was just a matter of them finally getting around to recording it, I don't know. But I can't help but feel a little disappointed in my almost non-reaction to such a great album, and I'm not sure why that is.

16 - Portishead - Third

key tracks: 'Machine Gun', 'Silence', 'We Carry On'
Here's another one I just don't appreciate as much as I know I should. For an album 11 years in the making to not be a massive disappoitment is a feat in and of itself. But for a band who had figureatively painted themselves into a genre corner with their first two albums practically creating and defining a movement to almost completely re-invent themselves after such a long period of time away and have it work, that's something else. For whatever reason, though, it sat on my shelf unlistened to for a lot of the year. Shame on me. It's great to have you back guys, and I'll be more attentive next time. ;)

15 - Kaiser Chiefs - Off With Their Heads

key tracks: 'Never Miss A Beat', 'Can't Say What I Mean', 'Always Happens Like That'
I admit, I was a bit nervous for another Kaiser Chiefs album so soon after the relatively disappointing "Yours Truly, Angry Mob" last year. Turns out it was the best thing they could have done. 'Never Miss A Beat' stormed out of the gates as a stronger single than anything on the second album, and while the rest don't quite add up to as great an album as the debut, it's a solid showing from the boys and helps ease the worries after a shaky second effort. Huzzah!

14 - Pop Levi - Never Never Love

key tracks: 'Dita Dimone', 'Everything and Finally', 'Never Never Love'
I love Pop Levi, and this was one of my most anticipated records of the year. Part of the reason I love Pop Levi is because he overreaches and generally pulls it all together in mini-pop masterpieces. "Never Never Love", however, suffers from the CD-age problem of not knowing when to stop. There's a brilliant, snappy 10-track pop masterpiece in here, unfortunately it's hiding amongst a bit of filler and a too long running time. That's what iTunes playlists are for.

13 - Parralox - Electricity

key tracks: 'We Believe In Electric Love', 'I Fell In Love With A Drum Machine', 'Europa'
Parralox are an Australian duo that formed in February and had an album self-produced and self-released by the end of the summer. Not bad for a year's work. A lot of criticism has been pointed at them for borrowing a little too heavilly from their influences - 'The End of Summer' is PSB's 'Rent', etc. - but that's part of the fun, I think. I don't know - it's hard to argue with some of the huge electro pop moments that can be found here, and anyone who can pull off a cover of Radiohead's 'Creep' as they do is worth it. Again, it's way too long and the track order is a bit weird, but it's more than I have to show for myself at the end of 2008. ;)

More to follow...

my 20 favorite singles of 2008

I love me some list making. So here's the first of many...well, a few. OK, at least two.

My 20 favorite singles of the year...with videos!

[20] Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!!!


[19] The B-52's - Juliet of the Spirits


[18] Pop Levi - Dita Dimone


[17] Neon Neon - I Lust U


[16] The Saturdays - Up

[can't embed the official video, but it's out there]

[15] Hercules & Love Affair - Blind


[14] The Music - Strength In Numbers

[again, no official version embedding but here's a live version]

[13] Van She - Changes


[12] Ladyhawke - Dusk Till Dawn


[11] The Breeders - We're Gonna Rise

[there wasn't an official video, but here's a nice fan one]

[10] The Whip - Blackout


[09] The Ting Tings - Great DJ


[08] Hot Chip - Ready For The Floor


[07] Elbow - The Bones Of You

[once again, no official embedding etc, but trust me you should go watch it because it's beautiful...but here's the Abbey Road version anyways because it is also pretty fantastic]

[06] The Kills - Cheap and Cheerful


[05] Kaiser Chiefs - Never Miss A Beat

[lots of embedding disabled this year...so here's a live version on Later...]

[04] Annie - Songs Remind Me Of You / Song Reminds Me Of You

[technically not a single, but SO FUCKING GOOD. Shame the album is in limbo...]

[03] Lorraine - When I Return To The World
[umm...so this one isn't on youtube anymore. :( So umm...here's the video for 'Transatlantic Flight', which is 2 years old and not quite as good but it apparently will have to do.]


[02] Parralox - We Believe In Electric Love
[grrr, another one not there...so here's a live version of the almost as good 'I Fell In Love With A Drum Machine' instead - what a title! - instead]


[01] Alphabeat - Boyfriend

[hands fucking down]

Albums to come.

thank goodness for small favors

I just wanted to take a moment to say how thankful I am that those stupid slidy case thingys that made a brief appearance in the early 00's as a "neat" alternative to your slimline single case - I first came across them with Suede's 'Positivity' DVD single, and later again during the singles campaign for the first Kasabian record - have seemingly disappeared. A fine idea, sure, but horrible execution that generally ended with the slipcase being too tight around the [incredibly cheap] plastic disc holder, that usually ended up with at least minor damage to the sleeve/case/etc. [My 'LSF' single case is now entirely unuseable. :(] So hooray!

I also wanted to take a moment to reflect on what a piece of shit "A New Morning" is. CHRIST it's bad, isn't it?

'Positivity', in case you've forgotten :



I mean, really. Even the artwork was shockingly horrible.

music is my boyfriend

It's hard to believe that it has been five years since the Hidden Cameras came into my life.

I remember the moment distinctly -it was April 2003 and I was working as the program director at WCVF, the more traditional college radio station - if you will - of the two stations that were housed under the Fredonia Radio Systems umbrella at SUNY Fredonia. My friend Jay was the music director and - knowing my love for absorbing all the new music I could - generally gave me second dibs [after himself, of course] at the new music that came into the station each week. This particular week, two 7"s from Rough Trade caught my eye. One was a white label 7" for the Kills new single 'Fuck The People', which I thought was an AMAZING name for a band and a song and I was prepared to have my mind blown by it. The other was the Hidden Cameras' 'Ban Marriage' backed with 'Fear of 'Zine Failure' - my friend Melissa in London had been raving non stop about these guys for weeks and, since our musical tastes tended to overlap quite a bit, I was curious to see what all the fuss was about.

I got back to my apartment that afternoon and put on the Kills record first. Now, over time I've come to realize I made a hasty judgement but I was massively disappointed. Here was a band called the Kills with a single called 'Fuck The People' for christsakes, and the best they could come up with was some poorly-recorded 2-minute country-rock romp? Talk about not living up to your name. Due to that one listen, I refused to give the Kills a chance - even when I couldn't stop hearing good things about debut album "Keep On Your Mean Side", even when I was told no, I was wrong. I didn't want to hear it - they had disappointed me, and I wouldn't reverse my opinion on them until a curiosity listen of 2005's "No Wow" changed my mind. I still think the song itself is a bit of a disappointment and "Keep On Your Mean Side" remains my least listened to - and least favorite - Kills record, but that's neither here nor there.

So I then put on 'Ban Marriage' and instantly I am blown away. AMAZING! I couldn't believe the musical euphoria that was coming out of my speakers. Fully entranced for four minutes and enjoying every second of it, I couldn't wait to see what amazingness was hiding away on the b-side. Well, as great as it is, 'Fear of 'Zine Failure' was a bit of a let down after the revelation that was 'Ban Marriage', so it put the a-side on again. And again. And a fourth time. Incredible. I e-mailed Melissa to let her know, however I also regretfully said that as brilliant as 'Ban Marriage' was and considering my reservations about the b-side I wasn't sure I could stomach a whole album of it. Trust me, she said, the album is incredible.

My best friend at school and main musical companion was Jennie May, whom also worked at the radio station. [Which reminds me, I need to return her call.] Anyways, I had her over after she got out of class to play this amazing piece of vinyl for her and she also falls in love. We can't wait for the full length.

So maybe the next week it was "The Smell of Our Own" lands on our desk and we instantly put it on. We love it, but aren't blown away by it. 'Ban Marriage' is the best thing here, we think, though we're also drawn to 'Smells Like Happiness' and 'Breathe On It'. Then there was the artwork! Bums, bums and more bums! Amazing! And the slightly shit-stained sheet ghost with a boner. Incredible! And is that a penis-topped dagger? So good. After the first listen, I think perhaps they blew their wad too soon - so to speak - with 'Ban Marriage' and clearly there's no way the album can live up to it. Jennie May is infatuated with it, however, so she takes it home and listens to it a zillion times I'm sure.

That next week during all of my calls to the promoters, I'm talking with Justin at AAM whom is promoting this particular record. Having already gushed about how much I loved the single to him, he asks how I like the full length. Eh, it's OK I say. Really he asks, because he was sure I would love it. It's not that I don't, I say, it just doesn't quite live up to my expectations - which I admit were unnaturally high. I comment on how much I love the artwork, though, and he tells me he'll send me a few copies of the LP - on gold vinyl, no less. BRILLIANT! I'm sold and am willing to give the album another chance. He also tells me they're touring that summer and that he'll hook me up with tickets to whatever show I can make it to as he hears they put on quite the live show.

So May comes, and the album is released on my 23rd birthday. Since I can't tear the station's copy away from Jennie May and the vinyl hasn't arrived yet I go out, purchase a copy and give it a good, solid listen at home alone. This time, more sinks in. 'Golden Streams' - I get it! It's not about the pee, it's about what the pee symbolizes. 'A Miracle', 'The Man That I Am With My Man' and especially 'Boys of Melody' - I get them! That feeling of totally giving yourself over to someone - or someones.

Now I tend to be hyperbollic anyways [really?], but I will say in all honesty that this particular listen of "The Smell of Our Own" did something to me. At the end I still thought it was missing something - it didn't quite all fit together yet - but I really felt like it was speaking to me. It was written to me. Maybe because I was going through a lot of shit at the time, that could be part of/a lot of it. Maybe I was really looking for that next band to really, truly love and I was making it into something it wasn't, that could be it to. But after that listen, I felt like - for the first time in a long time - I had made a connection with this album. And this is all terribly cheesy and cliche and all that bull shit, but fuck it. I'm not afraid to say it, I fell in love - like really, truly in love with this album, and I needed it in my life. It was, if you will, the album I had been waiting for. Jennie May thinks I'm crazy - it's just a really amazing album she argues - but to me at that time, it was way more than that.

Ahem.

So. The two of us together and I alone played the hell out of that album for the next two months. Come July the tour hits Cleveland, which is 2 hours away from Fredonia. Would I like to go, wonders Justin? Why, of course say I! Even better, would you like to interview Joel Gibb, head Cameras? Hell yeah! So Jennie and I pack our DAT and microphones and head to Cleveland. I reviewed the show for Excellent Online and I don't think I can say it any better than I did the first time, so I send you here (webpage gone - sorry!) for that part of the story.

So now I've had my mind blown not once, but twice by this band in a three month span. There's something to this. I spend the rest of the year sucking up any and everything related to the band I can find. In December, I find out they're playing a special Boxing Day show at Lee's Palace - "The Union of Wine" show it is dubbed - so I meet up with my friend Jason in Toronto and off we go. Equally incredible, this show, especially because they play no less than 8 new songs for their already forthcoming second album - all of which [except for 'I Want Another Enema' which I don't totally get after only one listen] are ridiculously great. My favorite is a number called 'No Gay Goth Scene' and I can't wait for the album so I can have a hard copy of it.

Over the course of 2004, I lived and breathed the band. I saw them six times I think, including: once with the Toronto Dance Troupe for their "We Are The Same"/"Skin & Leather" show, where they unveiled 'Men: Vous Etes Les Memes'; the "Mississauga Goddam" launch party where they played in a church; the Toronto Harbourfest where they debuted the songs 'Awoo' and [I think] 'Why I Understand' and the heavens opened upon us during 'Ban Marriage' in one of the most perfect concert moments ever; and opening for the then relatively then unknown Arcade Fire at SUNY Ithaca where they played 'No Gay Goth Scene' at my request and I heard newie 'Lollipop' for the first time. Knowing nothing about the Arcade Fire except that there's no way they can top the Hidden Cameras, we leave - a move people have called crazy over the years but one I stick by. [The Arcade Fire are shit. Seriously.] There were more shows in there, but those were the most memorable.

[Side track - at the Harbourfest show, the band on before them - and I have NO idea who they were but they weren't very good - did have a moment that trumped the Hidden Cameras. So they're playing and they're pretty boring. Then they announce it's their last song - hooray, my bands on soon. And they want to invite out a very special guest for their last song. Joel Gibb perhaps? No, they announce please welcome...

...

...

...

{Are you ready for this? People flat out refuse to believe me when I tell this story but I swear on everything I hold near and dear this actually happened.}

...

...

Margaret Atwood to the stage! WHAT!?!? And Margaret fucking Atwood walks out on stage and stands there in the middle of the stage. What on earth is going on? So they start, and there's a part of the song where each member takes turns singing and don't they include Margaret Atwood in this. She can't really sing very well, by the way. Oh, did I mention that she's PLAYING THE THEREMIN THE WHOLE TIME?!?!?!? It was ridiculous.]

Anyways.

My anticipation for "Mississauga Goddam" for the first half of the year is intense. I simply cannot wait. First, we get the "Play the CBC" sessions EP so we get a version of 'Music is my Boyfriend' to listen to on repeat for a while...but I'm holding out for the big one, 'No Gay Goth Scene'. Finally, Melissa manages to get her hands on a copy of the album and shares it with me. Track by track, she sends it to me. 'Fear is On' - alright! 'Builds the Bone' - fantastic! 'In the Union of Wine' - hooray! 11 tracks I get, and each one I'm already pretty intimately familiar with from seeing them so many times, yet there are still 2 new ones - 'That's When The Ceremony Starts' which I love, and 'Mississauga Goddam' itself which I knew of but had never managed to hear live.

What's this, though? Where's 'No Gay Goth Scene'? That's right, IT'S NOT THERE. :( *Sigh* Maybe on a b-side or EP or something. So we get the 'I Believe In The Good Of Life' single - two new songs in 'I Burn My Seed' and 'Divide' - nice, but not what I wanted. Full versions of 'High Upon The Church Grounds' and 'Steal All You Can, Motherfuckers' - again, incredible [particularly the latter] and Joel did say they were coming at some point, but again not what I want. Obviously, I'm still waiting for this one to appear - and amazingly, I've never been able to find a bootleg of it even. [If anyone out there can help me at all, you'd be my favorite person in the whole wide world.]

So in 2005, my Hidden Cameras live affair started to cool down, but I did still manage to see them 2 1/2 times I think. Once in Boston with my best friend from high school Brent [who totally loved it, by the way], where I got to speak at length with Maggie from the band. I requested they play 'No Gay Goth Scene' if they would be so kind, and she said she'd love to and would run it by Joel but wasn't sure if they'd get to it - they had had trouble crossing the border and barely made it to the show on time, so tensions were running pretty high and the setlist had already been written. We didn't get it, but we did get a very nice full-band version of 'Worms Cannot Swim Nor Can They Walk' to open the show and a few new preview songs from the still in the works "Awoo". She did say that the band love the song and it should come out some time soon. [Still waiting....] I reviewed that one too, and it is right here. (gone again - damn this internet) This was also the show where the guy in front of me kept turning around and hitting on me even though I made it very clear I wasn't interested - I wanted to DANCE, muthafucka! This year also included the final time - so far - that I've gotten to see the band, at the "In The Graveyard" collaboration with the Toronto Dance Troupe that November. Sadly, my last Hidden Cameras live experience was a bit of a disappointment as I didn't realize they were only playing new material - outside an encore of 'In the Union of Wine' - and I honestly didn't really think the new material was as compelling as the older stuff.

Before the album comes out, another mega-fan by the name of Mark emails me - having come across my review of the Boston show. We share stories and love for the band via emails for the next few months.

Flash forward to 2006 and "Awoo" finally comes out - all not having 'No Gay Goth Scene' on it and everything - and the magic has started to fade. It's a solid record, don't get me wrong, it just doesn't do it for me like the others do. It's missing something - besides the holy grail of Hidden Cameras songs, of course. To this day I can't put my finger on exactly what it is. Mark and I reconvene our emails to each other, and we both agree that "Awoo" is a bit of a disappointment.

And here we are today. The last I knew, they toured Europe in the Spring and shot a short film that was shown at a Calgary [I think] film festival that has yet to be released outside of that. The film is supposedly tied in with an album to come in 2009, but is it a Hidden Cameras record? There are no details. I guess we'll have to wait and see.

So that's my walk down memory lane. Over the past five years, "The Smell of Our Own" has only become more special to me - I can't think of an album as important to me as it. My initial fascination with "Mississauga Goddam" - the indie-pop "Very", I say - has faded to appreciation for a really solid pop record. I can't remember the last time I had the urge to listen to "Awoo" - sad, really, as there are some really classic songs on it. I'd love to see the band again in a club setting, though I'm a little afraid all this time away will make the experience less special.

Tour again and prove me wrong. Please.

A live version of the song that started it all:


Single of the decade right there, no doubt.

from the horse's mouth

Charlottehatherley.com has this wonderful news to report:
--
Charlotte Hatherley’s new record CINNABAR CITY is the second solo album to be released on her pet label Little Sister Records. Never one for aligning herself to some spurious musical trend, Charlotte makes a virtue of having a true independent spirit that allows such an adventurous and eccentric approach to song writing to flourish in an increasingly unadventurous and compromised world full of safe landfill indie, bandwagon followers and weak-kneed solo artists. Cinnabar flits between prog-pop, pop-punk and electro-junk whilst still standing as an original, highly melodic and cohesive body of work, one that truly delivers the goods in these credit-crunched times. Recorded in a focused and frenzied week in South London with Luke Smith (ex-Clor) conducting, the tracks were thrown down live, Charlotte taking care of all guitar heroics, TV Gary on bass and Rob Ellis on drums. With a light dusting of Rundgren and Roxy keyboards sprinkled on top of the thick guitar filling and added sparkle provided by Alan Moulder (Arctic Monkeys, Smashing Pumpkins)the album now stands as a tasty slab of visceral thrills ready to be unleashed to the world in 2009.
--

Hooray! The 2009 list starts growing...

'Kim Wilde' - one of my Top 10 singles of the '00's - from 2005's "Grey Will Fade":



'Behave' from 2007's "The Deep Blue":

who knew?

OK, so earlier this year Oasis did something shocking. Release an amazing album? Not quite. They did something I thought they'd never do - something they've probably said they'd never do, actually, I'm sure someone could dig that quote up somewhere. Anyways, they released a remix for a single b-side. Not only that, but the only b-side to their comeback single 'The Shock of the Lightning' was a Chemical Brothers remix of album track 'Falling Down'. Gasps were heard throughout the Oasis community.

Come single #2 - 'I'm Outta Time', released last week - not only are there more remixes for b-sides, but there were 2 separate 7"s released as well. [I'm sure someone could dig up a quote about no CD1/CD2 ever somehwere too, and with the death of the CD2 format this is essentially the same thing.] Anyways, this time there was a trio of remixes - one of the title track by Twiggy Ramirez [which is shit, as the a-side is kind of shit], the Jagz Kooner 'Shock of the Lightning' [which is AMAZING as Jagz Kooner generally has that effect on things] and - best of all - a Neon Neon remix of album track 'To Be Where There's Life' which, I must say, is hands down the best thing Oasis have put their name on since, oh, 'Step Out' on the b-side to 'Don't Look Back In Anger'...which was 13 years ago. I hate that turn of phrase, but it's true - everything between then and now [except 'One Way Road', I suppose, as it's pretty fantastic] could not exist and it wouldn't matter.

Who knew that what Oasis really needed was a dance makeover? Because seriously, this shit works. Bring on the full length Oasis remix record and it could be the best thing they've ever done.

Sadly, I can't find clips of any of that on the internets, and the original versions would just ruin it. So head on over to iTunes US where you can buy them for 99 cents each. Trust me, it is well worth it.

Update: I did find the Jagz Kooner mix on YouTube. Enjoy:

pardon me if I'm not bursting at the seams with excitement

According to an article on NME.com, the long talked about second collaborative album between PJ Harvey and John Parish will be called "A Woman A Man Walked By" and will be released on March 30th - presumably in the UK, who knows about a US release.

No disrespect to Ms. Harvey, but especially after the slightly underwhelming "White Chalk" this news doesn't exactly thrill me. I mean, "Dance Hall At Louse Point" isn't exactly her finest work now is it?

Personally I'm still waiting for that swamp-rock record that was suggested by 'Crawl Home', though I suppose that is unlikely to happen.

Oh well - it will be interesting at least.

A live version of 'Taut' from "Dance Hall" :

I still recall your banking details

I just use my 100th post to take the opportunity to remind everyone how freaking amazing last year's "Hey Venus!" was. I haven't listened to it in a bit - possibly even since catching the tour back in January - and it still sounds amazing. So there.

I missed having an SFA album this year - "Stainless Style" had its moments but it certainly couldn't compare to the real thing - and I look forward to whatever 2009 brings us.

Last year's SFA Holiday card - the hysterical 'The Gift That Keeps Giving' video:



Merry Christmas indeed!

[2008 wrap up forthcoming.]

when you've seen how big the world is how can you make do with this?

Let's talk "This Is Hardcore" for a minute, shall we?

I haven't always liked this album. In fact, when it first came out I hated it with a firey passion. Pulp had never been my cup of tea, but this one was so full of itself, had such an air of pretension, was just so over the top I couldn't deal with it. A few friends of mine at school turned it into one of our many music related long running jokes. "This is hardcore." "No, THIS is hardcore." "No, no, no - THIS! IS! HARDCORE!". And so on.

A few years later - while waiting in line to see Robbie Williams I believe - the conversation turned to Pulp and, specifically, this album. I was with a group of Pulp fans and they were arguing its merits against "Different Class", and the conversation had me fascinated. The album they were describing and the album I remember were not the same. I wanted to hear their "This Is Hardcore", because it sounded amazing.

The next day, one of said friends lent me her copy and I rushed home to put it on and fall in love. Except, I didn't. Sure, I liked it more than I remembered, but I still didn't hear what they heard. "It's a grower," they said. Sure, I guess...I mean, over the course of a few years I had gone from despising it to not minding it if it was on in the background, but I certainly couldn't see myself reaching for it, needing to hear it like they did.

Gradually, though, that's exactly what happened. A few months later I came across a used copy - with "This Is Glastonbury" bonus disc - relatively cheap and figured what the hell. At least if I decided to get rid of it, it probably wouldn't be too difficult and I might end up making some money on it. [Taking a minute to check eBay, a copy just sold for a whopping 99 cents so I guess that was a poor investment...was it to turn monetary, that is.] Anyways, I put it on again and liked it a little more.

Over the years, it has grown on me more and more until a few years ago, I had that magic listen. You know the one - the one where everything clicks and you finally get it. The one where you get why an album is so special, where it reveals enough of itself and allows you to love it. Whatever I was missing before made itself known, and I fell in love. Hard [core, sorry]. Mostly, that is. I wasn't sure about the last third of the album - 'Seductive Barry' on, and now typing that I didn't get 'Seductive Barry' seems absolutely silly since it's so FUCKING FANTASTIC.

Ahem.

Anyways, I got most of it. Tonight, I finally got the rest. 'Seductive Barry' had revealed itself to me a while ago, but I was still missing the point of the final trio. "They just don't fit," I'd think, and go back to the beginning...or pretend that 'This Is Hardcore' CD1 the single was the last part of the album, because the flow of 'Ladies' Man'/'The Professional'/'This Is Hardcore [End of the Line Remix]' made a better end in my head.

Now I get it, though. "This Is Hardcore" is an album of three parts. 'The Fear' through 'Help the Aged' is the call to the party, if you will. 'This Is Hardcore' through the first half of 'Seductive Barry' is the party itself, with the long meandering last half being the come down. The album ends with the part I didn't get - the attempt to save yourself from what you've become in 'Sylvia', the acceptance of what you've become with 'Glory Days' and 'The Day After The Revolution' takes stock of what's left of you now.

Or something like that. It's late and I'm tired, but that's what I took away this time. I can't wait for my next listen to see what jumps out at me then.

"Different Class" may have been the era-defining album for many, but more importantly it's the album that allowed Pulp to make this: their masterpiece and one of the greatest albums - in the sense of a true album, something that is missing more and more these days - of the '90s.

Then you get to the deluxe edition, with a solid set of b-sides and a fascinating set of demos. This is where there's a piece missing, though - the demos sound like they're getting ready to record a completely different album. Many could've been on a "Different Class II", which they clearly decided not to make. So I'm not sure how they got from there to what ended up on the album. Maybe demos of some of the album tracks would help fill that in or maybe there's another set of demos out there that didn't make it, I have no idea. As great as the deluxe edition is - and it's pretty friggin great - I'd love something like a Rhino Handmade edition of this one. [Yeah, right.]

As for everything else they've ever done, I could take it or leave it. It is how it is.

hooray for legal free downloads!

Modular has very nicely made the Fan Death remix of Ladyhawke's forthcoming third - and best yet - single 'My Delirium' available for download - for free. You don't even need to enter a fake e-mail address or anything of the sort - simply click here and download away. It won't be on the physical release - in stores on Monday in the UK, we never get anything good in the US - so grab it while you can.

It's pretty darn good - perhaps not as good as, say, the Chicken Lips take on 'Paris Is Burning' but a hell of a lot better than the pretty dull 'Dusk Till Dawn' remixes. What a missed opportunity those were.

Hooray for free stuff!

there's nothing wrong with me that can't be cured by photography

Whale are/were one of the greatest underrated bands in the whole wide world, and "All Disco Dance Must End In Broken Bones" is one of my favorite albums ever. Full fucking stop. I say that a lot, I realize, but if I had to pick my 10 favorite albums, this would be one of them. Perhaps even top 5.

To this day, I still cannot track down a copy on vinyl. It has to exist - Hut put everything out on vinyl back in the day. I've the 12"s for all three singles - and they're three of my most loved 12"s - but I cannot put my hands on the album itself. Of all the music related things in this world I covet, this is also possibly in the top 5. Scratch that - it's number one. There's not a day that goes by that not having it doesn't haunt me. :(

An AMAZING live version of 'Four Big Speakers':



[How is the proper video not up on You Tube? Poor Whale never get the respect they deserve.]

Umm..that's all the related video I can find. It's a crime, I tell ya.

Just in case we're not clear: I. Love. Whale.

squeal

Posted on petshopboys.co.uk a few days back:

--

Mixes of all twelve tracks for the new Pet Shop Boys album were finished today. (See Pet Text right.) As previously announced, the album has a provisional release date of March 23rd.

--

Date is on the calendar. In pencil, as they tend to be particularly finicky about final release dates and such.

Related, even though the song they co-wrote for the Girls Aloud album is the next single from said album, it sadly doesn't seem that there will be a PSB maxi-mix this time. :(